[scene ii of Sir Clyomon
and Sir Clamydes, my modern-spelling edition, based on the quarto as given
in the Malone Society reprint, with notes adapted from Bullen and Dyce. The original author is unknown, though I like to think that Edward de Vere (perhaps assisted by one of the authors he supported) might be responsible. In the
notes below B is Bullen, D Dyce, and Q the quarto. Scene ii was finished 23 January 2007.]
Enter Sir Clyomon,
Knight of the golden Shield, son to the King of Denmark, booted. Subtle Shift, the Vice, within, also booted.*
Clyomon
Come on good fellow, follow me, that I may understand
Of whence thou art, thus traveling here in a foreign land;
Come, why dost thou not leave loitering there and follow after
me?
Subtle
Shift
[within] Ah, I am in and’t shall please you!
Clyomon
In! why, where art thou in?
Subtle
Shift
Faith, in a dirty ditch with a wanion,† so berayed‡ as it’s
pity to see.
Clyomon
Well, I see thou art a merry companion, I shall like better of
thy company:
But, I pray thee, come away.
Subtle
Shift
[within] If I get out one of my legs, as fast as I may.
Ha lo! ah my buttock! the very foundation thereof doth break;
Ha lo! once again, I am as fast as though I had frozen here a
week.
Here let him flip unto
the stage backwards, as though he had pulled his leg out of the mire, one boot
off, and then rise up to run in again.
Clyomon
Why how now! whither runn’st thou? art thou foolish in thy
mind?
Subtle
Shift
But to fetch one of my legs and’t shall please, that I have
left in the mire behind.
Clyomon
One of thy legs! why, look, man, both thy legs thou hast!
It is but one of thy boots thou hast lost, thy labor thou dost
wast.
Subtle
Shift
But one of my boots! Jesu, I had such a wrench with the fall,
That, I assure, I did think one of my legs had gone withal.
Clyomon
Well, let that pass, and tell me what thou art, and what is
thy name,
And from whence thou cam’st, and whither thy journey thou dost
frame,
That I have met thee by the way, thus traveling in this sort.
Subtle
Shift
What you have requested, and’t shall please, I am able to
report,
What I am by my nature each wight shall perceive
That frequenteth my company by the learning I have:
I am the son of Apollo, and from his high seat I came;
But whither I go, it skills§ not, for Knowledge is my name,
And whoso hath knowledge, what needs he to care
Which way the wind blow, his way to prepare?
Clyomon
And art thou Knowledge?
Of troth, I am glad that I have met with thee.
Subtle
Shift
I am Knowledge, and have as good skill in a woman as any man
whatsoever he be,
For this I am certain of, let me but lie with her all night,
And I’ll tell you in the morning whether she is maid, wife, or
sprite;
And as for other matters, speaking of languishes‖ or any other thing,
I am able to serve, and’t shall please, and’t were great
Alexander the King.
Clyomon
Of troth, then, for thy excellency, I will thee gladly
entertain,
If in case that with me thou wilt promise to remain.
Subtle
Shift
Nay, and’t shall please ye, I am like to a woman, say nay, and
take it:⁋
When a gentleman proffers entertainment, I were a fool to
forsake it.
Clyomon
Well, Knowledge, then sith thou art content my servant to be,
And endued with noble qualities thy personage I see,
Thou having perfect knowledge how thyself to behave,
I will send thee of mine errand; but haste thither, I crave,
For here I will stay thy coming again.
Subtle
Shift
Declare your pleasure, sir, and whither I shall go, and then
the case is plain.
Clyomon
Nay, of no great importance, but being here in Suavia
And near unto the court, I would have thee to take thy way
Thither with all speed, because I would hear
If any shows or triumphs be towards,⁂ else would I not come there;
For only upon feats of arms is all my delight.
Subtle
Shift
[aside] If I had known so much before, serve that serve will,
I would have served no martial knight.—
Well, sir, to accomplish your will, to the court I will hie,
And what news is there stirring, bring word by and by.
Clyomon
Do so, good Knowledge, and here in place thy coming I will
stay,
For nothing doth delight me more than to hear of martial play.
[Exit Subtle Shift.◊
* sd] B;
“Enter Sir Clyomon Knight of the Golden Sheeld, sonne to the King of Denmarke,
with subtill Shift the Vice, booted.” Q.
The dialog necessitates the changes in stage directions. “‘The Vice’—equivalent in this
stage-direction to ‘the buffoon’—was a prominent character in the early Moral
Plays…” D. “Sir Clyomon and Shift are
“booted” (in their riding-boots) as they are going on a journey.” B
† wanion]
D B; woman Q. With a wanion = with a
curse, with a murrain. D, B.
‡ berayed]
befouled.
§ skills]
It skills not = it matters not.
‖ languishes]
A corruption of languages.
¶ say nay,
and take it] A proverbial expression. “Faire
de guedon guedon. To mince or simper
it; to be nice, quaint, scrupulous of receiving what inwardly is longed for; to
say nay and take it, as men say maids do.”—Cotgrave. (Cf. Richard III., iii. 7:—“Play
the maid’s part,—still answer nay, and take it.”)
⁂ towards]
in preparation, at hand.
◊ sd] D B; Q has
Subtle Shift exit at the end of his last speech.
1 comment:
Ah! Good old Clyomon, the playwright's foil. Neat! rfh
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